Trading Places

An 80s classic to be treasured – not remade with the latest floppy haired teen idol

One of the most well-worn clichés in life is that you know you are getting old when policemen look young. Cliché or not, it’s certainly true. Another sure-fire sign is when you remember chart songs from the first time round and tut angrily at the horrendous cover versions. Yes Black-Eyed Peas I’m looking at you… I know I’m getting old because I’m dreading the inevitable remakes of my favourite 80s and 90s films. There’s a spate of remakes already released including The Karate Kid, Nightmare on Elm Street and Arthur. Others are still only rumours or are stuck in the development stage including Footloose, Overboard and Top Gun. The very thought of some of these new films makes a little bit of my soul die, however it has got me considering my favourite films and how I would feel about any potential remakes.

I’m passionately attached to films and hate the idea of spoiling the magic. I won’t watch It’s A Wonderful Life in colour, I refuse to see the “sequel” to Dirty Dancing – Havana Nights or go to see the apparently brilliant stage version. The thought of a CGI Gizmo in a 3D remake of Gremlins is enough to keep me awake at night sobbing. I think, though, the film I would be most upset to see a remake of is the 1983 John Landis classic Trading Places. Let’s face it though, it’s probably ripe to be remade, particularly in light of all the financial shenanigans going on at the moment. We’d easily believe that a couple of bankers (or brokers, they’re all the same anyway) would be evil enough to wreck the lives of a pair of innocents just for fun.

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The Top 10 Summer Blockbusters

Summer blockbusters

IIt’s summer and we all know what that means – long sunny days, plenty of fresh air and good clean outdoor pursuits. Oh yes, and hours of fun inside an air-conditioned cinema with popcorn, hot dogs and a rattling good summer blockbuster.

There are two main seasons for film releases. In order to qualify for Oscar consideration films must have a theatrical run in Los Angeles County between 1st January and 31st December. This generally means that studios release their worthy, serious films in November and December to keep them fresh in the minds of the Academy voters. If you take a look at the winter releases you can pretty much tell which movies will be the stars of the awards season in the spring but summer is the time for the big-budget, big-star name, big entertainment blockbusters to be released. Also known as the films that we actually pay to go and see….

I have some rules for what can be regarded as a true summer blockbuster. They’re pretty arbitrary, not everyone is going to agree….

It has to be an action film, no romances in my lists
It has to be a film I could watch over and over again – it can’t be a blockbuster if one viewing is enough
It’s not an animation (no matter how good it is)
The time of year matters – Die Hard is a brilliant, brilliant film but it’s set at Christmas, not summer
There has to be personality in there, no pointless sequels churned out just for filthy lucre.

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Father Goose

An amusing WWII romp with Cary Grant unconvincing as an uncouth slob

Whenever Cary Grant is mentioned the automatic image is smooth, suave, sophisticated. A real gentleman. Walter Christopher Eckland, his character in the Oscar winning Father Goose, his 73rd and penultimate film, is as far from sophisticated as it is possible to get. But can Grant really put aside almost 40 years of habit and pull off the unshaven, drunken beachbum role?

Set during the Second World War, Father Goose is the story of Walter Eckland, an American beachcomber who is forced by a Royal Australian Navy Commander (an old friend who definitely has the measure of Eckland) to act as a coast-watcher for the Allies. For his (independently verified) reports on Japanese planes and shops Eckland, now codenamed Mother Goose much to his disgust, is rewarded with bottles of whisky which are hidden around the small island on which he is based. Walter’s quiet life is disturbed by the arrival of Catherine Freneau, played by Leslie Caron, and seven schoolgirls who have been abandoned while attempting to reach safety in Australia. The clash between the sophisticated Mademoiselle Freneau and her charges and the boorish Eckland takes place against the backdrop of increasing danger from the ever-present Japanese.

I’ve always enjoyed Father Goose. It’s a silly, funny romantic comedy. It is however almost impossible to imagine Cary Grant as anything other than a handsome, suave hero and he doesn’t really convince as a slob. The beautifully clean white socks he wears in one scene doesn’t help either – why would he have such clean clothes? He’s just Cary Grant. That’s ok though. Father Goose isn’t a serious drama, it’s a bit of fun. And we Cary Grant fans know and love our man whatever – we know his character isn’t really a hobo…

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Julie & Julia

An enjoyable biopic of two women and how cooking changed their lives

There’s an ongoing discussion on film blogs, review sites and magazines – why aren’t there more female directors? Why aren’t female directors recognised for their work? Are too many women shackled by the ghettoisation of making films for other women?